Black Camel Vessel by Małgorzata Łyszczarz
Vessel made by Małgorzata Łyszczarz specially for Back to the Roots Collection inspired by traditional water vessels from the area of present-day India used, among others, to transport water on the backs of camels. The technique of making also refers to the oldest techniques of molding ceramics. The foot and belly of the vessel were shaped by hand and refined on the wheel. The neck, on the other hand, was turned on the wheel. All the elements were connected and smoothed, and finally the surface was fired with a mixture of crystalline and metallic glazes. The copper-gold spots on the surface of the vessel are a contemporary interpretation of the traditional rich gilding of Indian water bottles, which were the starting point for working on this collection.
Vessel made by Małgorzata Łyszczarz specially for Back to the Roots Collection inspired by traditional water vessels from the area of present-day India used, among others, to transport water on the backs of camels. The technique of making also refers to the oldest techniques of molding ceramics. The foot and belly of the vessel were shaped by hand and refined on the wheel. The neck, on the other hand, was turned on the wheel. All the elements were connected and smoothed, and finally the surface was fired with a mixture of crystalline and metallic glazes. The copper-gold spots on the surface of the vessel are a contemporary interpretation of the traditional rich gilding of Indian water bottles, which were the starting point for working on this collection.
Vessel made by Małgorzata Łyszczarz specially for Back to the Roots Collection inspired by traditional water vessels from the area of present-day India used, among others, to transport water on the backs of camels. The technique of making also refers to the oldest techniques of molding ceramics. The foot and belly of the vessel were shaped by hand and refined on the wheel. The neck, on the other hand, was turned on the wheel. All the elements were connected and smoothed, and finally the surface was fired with a mixture of crystalline and metallic glazes. The copper-gold spots on the surface of the vessel are a contemporary interpretation of the traditional rich gilding of Indian water bottles, which were the starting point for working on this collection.
